Bien and Phyno Lyrics
Bien & Phyno – All My Enemies Are Suffering Remix Lyrics
Nigerian and African music fans have a new anthem on their lips—“All My Enemies Are Suffering (Remix)” by Bien and Phyno. This collaboration between Kenya’s renowned vocalist Bien-Aimé Baraza (of Sauti Sol) and Nigeria’s celebrated rapper Phyno is fast becoming one of the most resonant Afrobeats tracks of the season.
In a music culture fueled by bold affirmations, spiritual metaphors, and relatable lyrics, this song strikes a powerful chord. Nigerians especially know what it means to overcome obstacles—and Bien x Phyno’s latest hit is a testament to resilience and triumph, themes that echo across Lagos, Accra, Johannesburg, and beyond.
Behind the Collaboration: East Meets West
With Afrobeats dominating playlists across the continent and the diaspora, cross-regional collaborations have become an increasingly popular trend, allowing African artists to innovate and share audiences. Bien, a celebrated Kenyan singer-songwriter, brings his signature vocal depth, while Phyno, a mainstay in the Nigerian scene and lauded for his indigenous rap flow, delivers hard-hitting verses loaded with street flavor and Igbo wisdom.
Music journalists and fans alike have commented that the remix “effortlessly blends East African melodic soul with West African lyrical sharpness,” according to Lagos-based music critic Sola Akinyemi. The excitement has also spilled to Ghana and other parts of West Africa, where the celebration of cultural unity feels especially timely in today’s fast-evolving African music landscape.
Lyric Themes: Triumph Over Adversity
“All my enemies are suffering…” is more than just a catchy phrase; it’s a brazen declaration coming straight from the heart of daily hustle. The chorus, driving the message home with repeated affirmations, sums up the core sentiment—whatever negative energy is aimed your way, it scatters in vain.
This theme of “using your success to silence critics” isn’t new to the Nigerian or African context. In fact, it’s uniquely resonant. With phrases like “Prepare a table for me right before my enemies” echoing a biblical undertone, the song speaks to deep-rooted cultural beliefs that hard work and faith are the greatest weapons against envy and negativity.
Intro
All my enemies are suffering
All my enemies are suffering
All their plans have scattered scattered
All my enemies are suffering
The lyrics are loaded with relatable lines that touch on perseverance and the drive to overcome. The phrase “Miss me with dat energy” feels especially current, channeling online slang and everyday banter common among Nigerian youth.
Breaking Down the Verses: Local Languages, Global Appeal
- Bilingual Flow: Bien—and more notably Phyno—weave a tapestry of languages, from English to Pidgin and indigenous tongues. When Phyno drops gems like “Akwa akwulu I no bend” and “Ngozichukwu no my doorstep,” he affirms pride in local identity, a sentiment increasingly echoed by artists like Burna Boy, Yemi Alade, and Sarkodie.
- Street and Spiritual Undertones: Lyrics referencing “the hand of God,” “prophecy,” and “covered with the blood of the lamb” reflect the blend of traditional beliefs and Christianity that frame many Nigerian everyday conversations.
- Flexing and Fertility: Phrases like “tear rubber bands on them” play on the local slang for spending lavishly or achieving material success—sending a message that victory comes not from envy, but from relentless grinding and faith.
Chorus
Lemme win, lemme win
Win in this economy
Prepare a table for me right before my enemies
So they can see
I’m living in my prophecy
I will never know no shame
Nigerian listeners say the track’s “scatter scatter” ad-libs feel like spiritual armor—a reminder that enemies (literal or metaphorical) cannot keep a hustler down. In a tough economy where “winning” is the highest aspiration, music like this feels refreshingly relevant and timely.
Music and Society: The Power of Words in Nigerian Pop Culture
According to Abuja-based DJ Uchechi Obasi, “It’s not just about fighting haters—tracks like this help you face life with a positive, almost defiant attitude. Nigerians use music not just for entertainment but as therapy and motivation.” This reflects a broader African tradition, where call-and-response and coded language empower communities to speak truth to power, support one another, and claim victory against adversity.
West African pop music has always been more than sound and rhythm—it’s a platform for debate, hope, and resistance. The prevalence of spiritual metaphors, reference to “waganga” (traditional healers), and biblical themes is a nod to a continent where the spiritual is woven tightly into the fabric of daily life, regardless of religion or class.
Chorus and Viral Reactions
Since the remix dropped, social media platforms from Twitter to TikTok have exploded with trends based on the “All my enemies are suffering” hook. Memes, dance challenges, and reaction videos have drawn millions of views, making this track the soundtrack of the season for both everyday hustlers and influencers.
Ghanaian music enthusiast Adwoa Owusu told NowahalaZone, “Everyone wants to be seen winning. The vibe of this song fits whether you’re a student, business owner, or even a creative hustler. It reminds us that joy feels even sweeter when you’ve overcome doubters.”
Verse 2
Flex on them (Yeah)
Tear rubber bands on them (Facts)
I clear my cheque on them (Wa)
And do the money dance on them (Ibe)
Gwagodim How dem wan compare (A talk)
Shey na ezege dey wan condemn (A talk)
Now my story don turn success (Yeah)
All my enemies don confess (Mstchew)
Wa here (Wa)
Look at me now no stress (Talk)
Ona ewegi I no send (Yeah)
Akwa akwulu I no bend (Yeah)
I put God first (Heh)
Ngozichukwu no my door step (Step)
So dem go buy wetin I come sell
Owegiwe go die well
Yeah
Local Relevance and Global Impact
The success of “All My Enemies Are Suffering” is another win for pan-African collaboration in music. As platforms like Boomplay and Audiomack report ever-growing streams for Afrobeats and Amapiano tracks, African artists are leveraging the continent’s linguistic and cultural richness to reach new markets—and listeners worldwide are catching on.
According to a 2023 report by Statista, “Afrobeats and cross-continental music collaborations are fueling growth in Africa’s digital music industry, with Nigeria, Ghana, and Kenya among the fastest-growing consumer bases.” The combination of indigenous flair and contemporary production creates a bridge for African artists to take their stories global.
The Debate: Celebrating Victory vs. Humility
Of course, the “enemies are suffering” motif has drawn some criticism. Social commentator Funmi Adewale writes, “While it’s empowering to proclaim your success, it’s equally important not to base your happiness entirely on the supposed downfall of others. Nigerians should balance confidence with humility.” This viewpoint has sparked lively debate on whether such lyrics uplift or risk fostering unhealthy competitiveness.
What Does the Future Hold?
For Bien and Phyno, the success of this remix marks another step in the ongoing story of African music’s global rise. For millions of fans, it serves as a daily motivation—an anthem for turning adversity into applause. As the continent’s artists continue to innovate, collaborative projects like this one promise even more genre-bending, border-crossing hits.
What’s your take on the “All my enemies are suffering” message? Do you see it as a celebration of resilience or a reflection of our competitive reality? Drop a comment below, share your thoughts, and follow NowahalaZone for more in-depth analysis on the latest in African music and culture.
