In a lively conversation that has sparked widespread debate among music and business enthusiasts in Nigeria and across Africa, a financial advisor has stirred the pot by declaring that singer and entrepreneur Mr Eazi is reportedly wealthier than three of Nigeria’s biggest music stars—Davido, Wizkid, and Burna Boy.
Sharing his perspective in a recent video, the advisor contrasted Mr Eazi’s financial approach with those of his more flamboyant colleagues. While Davido, Wizkid, and Burna Boy are often seen to make headlines for their lavish purchases and social media displays, Mr Eazi is building what some commenters describe as “generational wealth” through strategic investments across the continent.
Citing a revelation purportedly from Aliko Dangote—often recognized as Africa’s richest man—the advisor highlighted Mr Eazi’s impressive business reach, noting that the Banku Music founder is said to have interests in at least 18 African countries. If these claims are accurate, it would put Mr Eazi in a unique position among his peers in the entertainment industry, transitioning from hitmaker to influential business figure.
According to the financial expert, who goes by the moniker Geh Geh, there are lessons to be learned for other artists, especially within the Afrobeats community. He suggested that Burna Boy and Wizkid, in particular, should consider seeking out advice from Mr Eazi to build more sustainable wealth for themselves and future generations.
He explained his viewpoint in detail, stating:
“Mr Eazi reportedly has more wealth than Davido, Burna Boy, and Wizkid combined. This is because, while others focus on purchasing liabilities to impress on social media, he quietly invests in assets intended to provide for future generations. Even Dangote, widely regarded as the richest Black man in the world, has acknowledged Mr Eazi’s business footprint in over 18 African nations—a significant feat. What concerns me most is seeing artists like Wizkid and Burna Boy not seeming to prepare for the future in the same way. Davido’s situation is slightly different, given his family’s longstanding wealth, which provides a safety net for him and his descendants. For Burna Boy and Wizkid, however, there are important financial lessons to be learned from Mr Eazi. He has much to offer his industry peers, regardless of their current status or perceptions of seniority. Advice can come from anyone, and there’s great value in learning from Mr Eazi’s approach—especially as fans watch artists for more than just their music, but also their personal growth outside the spotlight.”
Watch video below …
Mr Eazi get money pass Davido, Wizkid and Burna Boy combine, they’re all busy buying liabilities to impress people on social media, while Eazi is building generational wealth in private” — GehGeh 😂😂 pic.twitter.com/OWWL5iznUA
— Oyindamola🙄 (@dammiedammie35)
Mr Eazi get money pass Davido, Wizkid and Burna Boy combine, they’re all busy buying liabilities to impress people on social media, while Eazi is building generational wealth in private” — GehGeh 😂😂 pic.twitter.com/OWWL5iznUA
— Oyindamola🙄 (@dammiedammie35) September 10, 2025
While Mr Eazi’s personal financial records are not publicly available and the claim of surpassing the combined net worth of Davido, Wizkid, and Burna Boy is unverified, his pivot from performing to entrepreneurship is well known. Mr Eazi, born Oluwatosin Ajibade, has long been lauded for his business acumen. From launching emPawa Africa—a talent incubation and investment platform for rising artists—to branching into tech and fintech sectors, his innovative business forays are earning recognition across the continent.
Nigerian listeners, especially fans of the vibrant Afrobeats scene, have been quick to chime in, with opinions divided. Some defend the extravagant spending of their favourite stars as expressions of their hard-earned success and cultural impact. Others echo Geh Geh’s sentiments, suggesting that the future of African music icons may rely as much on boardroom decisions as sold-out concerts.
On social media platforms like X (formerly Twitter) and Instagram, the discussion has opened wider conversations about wealth creation and financial planning among celebrities and ordinary Nigerians alike. Some fans from Ghana and other parts of West Africa are equally engaged, noting that cross-border business trends, especially among creatives, are increasingly relevant in today’s interconnected economy.
The debate touches on broader issues common to many African urban centres: the tension between displays of luxury and more discreet investments, the pressure young celebrities face to live up to fan expectations online, and the desire to create financial security beyond short-lived fame. In the Nigerian context, public displays of wealth—such as luxury cars, sprawling mansions, or designer fashion—can boost an artist’s status. Yet, as Geh Geh points out, there is a growing recognition of the need for long-term, sustainable wealth strategies, especially given Nigeria’s dynamic and sometimes unpredictable entertainment landscape.
Globally, musicians and entertainers are increasingly diversifying income streams, with many launching fashion lines, tech startups, or philanthropic foundations. The rise of artists as entrepreneurs is by no means unique to Africa, but local context matters. For West Africans, where access to generational wealth has historically been limited for many, stories like Mr Eazi’s—if verified—offer both inspiration and a template for success beyond the stage.
According to business analysts, this shift signals a maturing industry: “It is commendable when artists like Mr Eazi look beyond music and invest in ventures that empower others and build community value across Africa,” remarked a Lagos-based entrepreneurship researcher. “Though not all artists may follow the same path, awareness of business fundamentals is increasingly essential.”
So far, there have been no public responses from Davido, Wizkid, Burna Boy, or Mr Eazi himself regarding these comparisons or the financial advisor’s comments. As the conversation continues, many fans hope for more transparency and open dialogue about what true success looks like for African entertainers—in their home countries and beyond.
What are your thoughts? Should Nigerian and African artists focus more on building generational wealth—or is showcasing success online an important part of the culture? Share your perspective in the comments or on our social channels.
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